| The Canadian Artic area covers 777,000 square miles | | | | Because this area was the administrative center of |
| and includes thousands of artists whose styles vary | | | | the former Northwest Territories and because it |
| as much as the names of their Inuit communities. | | | | attracts Inuit from all over the Baffin region, the style is |
| However, artists rarely work in isolation. Living in small | | | | more varied than other settlements. |
| settlements, common styles and themes have | | | | The Pangnirtung artists also favor a dramatic style, |
| emerged. This article provides an overview of what | | | | though this usually emerges in the larger sizes of the |
| makes each region's sculpture style special. | | | | pieces and the subject matter of mythological or |
| Sanikiluaq * Kuujjuaraapik * Inukjuak * Puvirnituq * | | | | shamanic images. Whalebone is a popular medium. |
| Akulivik | | | | Pangnirtung artists have moved to Qikiqtarjuaq and |
| Sanikiluaq sculptures are popular with art collectors and | | | | vice versa, so these two communities share a similar |
| tourists who favor wildlife sculptures. Birds and marine | | | | style. Qikiqtarjuaq artists also use whalebone, as well |
| animals are customary subjects, as well as domestic | | | | as a stone that ranges from light green to dark green |
| and camp scenes. In keeping with the wildlife theme, | | | | or black. |
| the style is naturalistic, though some artists favor a | | | | Clyde River * Igloolik * Hall Beach |
| stylized, angular look. | | | | The Clyde River area is famous as the center of |
| An unusual argillite stone, which ranges from light green | | | | whalebone carving in the Artic - and also for the touch |
| to almost black, is another reason that Sanikiluaq | | | | of humor and whimsy artists employ in their sculptures. |
| sculptures are so popular. | | | | Subject matter can range from dancing walruses to |
| The Kuujjuaraapik style is similar to Sanikiluaq, but | | | | simple domestic and hunting scenes. |
| includes more domestic and camp scenes. Artists | | | | The Igloolik style is more similar to Pangnirtung than |
| sometimes employ fantasy imagery. Kuujjuaraapik | | | | Clyde River. Artists here use a larger scale in sizes |
| artists use the argillite stone from Sanikiluaq (when | | | | and emotional intensity. However, the stone - which is |
| available) or grey Artic Québec stone. | | | | dynamically carved - isn't highly polished, so the end |
| The sculptures of Inukjuak are more realistic, featuring | | | | result is more realistic and natural. Occasionally, artists |
| domestic and hunting scenes. Mythological imagery is | | | | use a light green stone from northern Baffin. |
| rare. The sculptures have a static, calm feel - wide | | | | Hall Beach also produces powerful, moving works |
| and curvy. | | | | similar to Igloolik, though some artists are known for a |
| In the past, Inukjuak artists used inlays like ivory in their | | | | softer-edged style that's similar to Clyde River. |
| sculptures, but this is no longer done. However, they still | | | | Taloyoak * Gjoa Haven * Kugaaruk * Repulse Bay |
| use a rich green mottled stone quarried from the local | | | | Taloyoak is another community that uses the |
| area. When an artist uses grey stone, they often | | | | whalebone medium - with large, spectacular results. |
| darken it. | | | | For a long time, work from this area was dominated |
| The Puvirnituq and Akulivik artists have moved | | | | and influenced by the artist Karoo Ashevak. His work |
| between the two settlements, so these two areas | | | | has a dreamlike quality that's also quirky - haunting, but |
| have a similar style. The subject matter - hunting | | | | amusing. But as artists began using an assortment of |
| scenes and animals - is considered more masculine. | | | | stone and concentrated on developing their own |
| The sculpting style is realistic with an emphasis on | | | | particular styles, a wider variety of styles have |
| naturalistic detail. | | | | emerged. |
| Salluit * Ivujivik * Kangirsuk | | | | Gjoa Haven has also been influenced by the Taloyoak |
| Like Inukjuak, Salluit and Ivujivik artists favor domestic | | | | style in the human and spirit expressions and distortion |
| and hunting scenes. The style is also more similar to | | | | of faces and bodies. However, artists are eager to |
| Inukjuak, but this wasn't always the case. At the start | | | | experiment with different media like whalebone, ivory, |
| of the Inuit art movement in the 1950s, artists here | | | | and musk-ox horn, and they have emerged as |
| developed a Romanesque-like style that had a | | | | dominant in their own right. |
| monumental, static feel - think large folds of drapery | | | | The artists still use stone, of course. In the past, they |
| over equally large, bulky bodies. However, this style | | | | imported a pale green stone, but they now use a local |
| has died out. | | | | hard stone that ranges from dark green to black. |
| The folk art quality of Kangirsuk sculptures comes | | | | Kugaaruk and Repulse Bay are renowned for small, |
| from subject matter that's rustic and a bit off-the-wall. | | | | delicate works in stone, ivory, or antler. The tradition of |
| The artists sometimes blacken the grey stone, which | | | | creating miniatures goes back hundreds of years, |
| gives the pieces a quaint effect. | | | | when talented Inuit created them as gifts for |
| Cape Dorset * Kimmirut | | | | missionaries and whalers. |
| Cape Dorset has a large pool of talented artists with | | | | Baker Lake * Arviat * Rankin Inlet |
| varied styles. However, two common themes are: | | | | Baker Lake has two distinguishing characteristics: |
| * Love of naturalism | | | | * It's the only inland community in the Canadian Artic. |
| * Wildlife and the spirit world | | | | * It's famous for large, dynamic sculptures of hunters |
| Perhaps because of Cape Dorset's long history in the | | | | and animals carved from hard Keewatin stone. |
| Inuit art world, the style is more showy and dramatic | | | | Though the hunter and animal subjects are realistic, the |
| than other settlements. Artists like to work the stone - | | | | artists portray them abstractly. You'll also see |
| which ranges from green shades to white dolomite - | | | | animal-human transformations depicted more often. On |
| until it's highly finished. They also take pride in creating | | | | the other hand, female artists from this area favor a |
| pieces that are impossibly thin or delicately balanced. | | | | more delicate style, with domestic scenes like mothers |
| Like Cape Dorset, Kimmirut artists use a variety of | | | | and children. |
| stone. Art collectors particularly prize the apple-green | | | | Working with a hard, local steatite, Arviat artists |
| or cream-colored shades. While the animal subjects | | | | employ little detail and economy of line with their |
| are depicted with a naturalistic style, the smooth, | | | | sculptures. It's different from the elegant, flowing style |
| flowing lines and highly polished stone create an | | | | of other communities, yet just as emotionally powerful. |
| elegant effect. | | | | In the Arviat area, family and maternal scenes are the |
| Iqaluit * Pangnirtung * Qikiqtarjuaq | | | | most popular. However, artists here have |
| What's different about the sculptures from the Iqaluit | | | | experimented with antler carvings and produced a |
| settlement is that animal subjects - bear, caribou, and | | | | variety of whimsical birds and animals, as well as |
| musk-oxen - are often in unusual or action poses. And | | | | games and hunting scenes. The antler carvings have a |
| these pieces are even more eye-catching because of | | | | folk art quality. |
| their exaggerated proportions. However, Iqaluit does | | | | Rankin Inlet is like Iqaluit - a regional center with a wider |
| share Cape Dorset's love of elegant lines and | | | | variety of styles. The artists here work with the dark |
| dramatic presentation. | | | | Keewatin stone, a harder grey stone, or ivory. |